Identity & Culture Fiction Ebooks

The Daughters of Madurai is both a page-turning mystery and a heartrending story of the fraught family dynamics and desperate choices that face a young mother in India. Spanning 1990s South India and present-day Australia, the novel follows Janani, a mother who will do anything to save her unborn daughter, and Nila, a young woman who embarks on a life-changing journey of self-discovery. Madurai, 1992. A young mother in a poor family, Janani is told she is useless if she can’t produce a son—or worse, if she bears daughters. They let her keep her first baby girl, but the rest are taken away as soon as they are born, and murdered. But Janani can’t forget the daughters she was never allowed to love . . . Sydney, 2019. Nila has a secret; one she’s been keeping from her parents for too long. Before she can say anything, her grandfather in India falls ill, so she agrees to join her parents on a trip to Madurai. Nila knows little about where her family came from or who they left behind. What she’s about to learn will change her forever. While The Daughters of Madurai explores the harrowing issue of female infanticide, it’s also a universal story about the bond between mothers and daughters, the strength of women, the power of love in overcoming all obstacles—and the secrets we must keep to protect the ones we hold dear. Fans of historical and contemporary fiction novels about India such asAlka Joshi’s The Henna Artist from the Jaipur Trilogy and Thrity Umrigar’s The Space Between Us, as well as Kristin Hannah’s books exploring sisterhood and mother-daughter relationships will enjoy Variyar’s poignant debut. This extraordinary work of fiction tells a story that deserves to be read and discussed for years to come.

An absorbing, clever debut thriller that speaks to the longstanding injustices faced by New Zealand’s indigenous peoples, by an acclaimed Māori screenwriter and director A tenacious Māori detective, Hana Westerman juggles single motherhood, endemic prejudice, and the pressures of her career in Auckland CIB. Led to a crime scene by a mysterious video, she discovers a man ritualistically hanging in a secret room and a puzzling inward-curving inscription. Delving into the investigation after a second, apparently unrelated, death, she uncovers a chilling connection to an historic crime: 160 years before, during the brutal and bloody British colonization of New Zealand, a troop of colonial soldiers unjustly executed a Māori Chief. Hana realizes that the murders are utu—the Māori tradition of rebalancing for the crime committed eight generations ago. There were six soldiers in the British troop, and since descendants of two of the soldiers have been killed, four more potential murders remain. Hana is thus hunting New Zealand’s first serial killer. The pursuit soon becomes frighteningly personal, recalling the painful event, two decades before, when Hana, then a new cop, was part of a police team sent to end by force a land rights occupation by indigenous peoples on the same ancestral mountain where the Chief was killed, calling once more into question her loyalty to her roots. Worse still, a genealogical link to the British soldiers brings the case terrifyingly close to Hana’s own family. Twisty and thought-provoking, Better the Blood is the debut of a remarkable new talent in crime fiction.  

Chronicling the beauty and turmoil of a rapidly changing Cameroon, Days Come and Go is the remarkable story of three generations of women both within and beyond its borders. Through the voices of Anna, a matriarch living out her final days in Paris; Abi, Anna’s thoroughly European daughter (at least in her mother’s eyes); and Tina, a teenager who comes under the sway of a militant terrorist faction, Boum’s epic is generous and all-seeing. Brilliantly considering the many issues that dominate her characters’ lives—love and politics, tradition and modernity—Days Come and Go, in Nchanji Njamnsi’s vivid translation, is a page-turner by way of Frantz Fanon and V. S. Naipaul. As passions rise, fall, and rise again, Boum's stirring English-language debut offers a discerning portrait of a nation that never once diminishes the power of everyday human connection.

The author of the “brazenly hilarious, tell-it-like-it-is first novel” (Oprah Daily) Queenie returns with another witty and insightful novel about the power of family—even when they seem like strangers. If you could choose your family...you wouldn’t choose the Penningtons. Dimple Pennington knows of her half siblings, but she doesn’t really know them. Five people who don’t have anything in common except for faint memories of being driven through Brixton in their dad’s gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about. She’s thirty, and her life isn’t really going anywhere. An aspiring lifestyle influencer with a terrible and wayward boyfriend, Dimple’s life has shrunk to the size of a phone screen. And despite a small but loyal following, she’s never felt more alone in her life. That is, until a dramatic event brings her half siblings Nikisha, Danny, Lizzie, and Prynce crashing back into her life. And when they’re all forced to reconnect with Cyril Pennington, the absent father they never really knew, things get even more complicated. From an author with “a flair for storytelling that appears effortlessly authentic” (Time), People Person is a vibrant and charming celebration of discovering family as an adult.

A GOOD MORNING AMERICA BOOK CLUB PICK A WASHINGTON POST BEST FEEL-GOOD BOOK OF 2022 For fans of Amy Tan, KJ Dell’Antonia, and Kevin Kwan, this “sharp, smart, and gloriously extra” (Nancy Jooyoun Kim, The Last Story of Mina Lee) debut celebrates a family of estranged Vietnamese women who experiences mishaps and unexpected joy after a psychic makes a startling prediction about their lives. Everyone in Orange County’s Little Saigon knew that the Duong sisters were cursed. It started with their ancestor, Oanh, who dared to leave her marriage for true love—so a fearsome Vietnamese witch cursed Oanh and her descendants so that they would never find love or happiness, and the Duong women would give birth to daughters, never sons.​ Oanh’s current descendant Mai Nguyen knows this curse well. She’s divorced, and after an explosive disagreement a decade ago, she’s estranged from her younger sisters, Minh Pham (the middle and the mediator) and Khuyen Lam (the youngest who swears she just runs humble coffee shops and nail salons, not Little Saigon’s underground). Though Mai’s three adult daughters, Priscilla, Thuy, and Thao, are successful in their careers (one of them is John Cho’s dermatologist!), the same can’t be said for their love lives. Mai is convinced they might drive her to an early grave. Desperate for guidance, she consults Auntie Hua, her trusted psychic in Hawaii, who delivers an unexpected prediction: this year, her family will witness a marriage, a funeral, and the birth of a son. This prophecy will reunite estranged mothers, daughters, aunts, and cousins—for better or for worse. A multi-narrative novel brimming with levity and candor, The Fortunes of Jaded Women is about mourning, meddling, celebrating, and healing together as a family. It shows how Vietnamese women emerge victorious, even if the world is against them.

Finalist for the Gotham Book Prize, the Los Angeles Times Art Seidenbaum Award, and the Ernest J. Gaines Award for Literary Excellence * Longlisted for the Story Prize Named a BEST BOOK OF THE YEAR by NPR, Kirkus Reviews, Library Journal, Chicago Review of Books, LitHub, and Electric Lit “A standout achievement…American speech is an underused commodity in contemporary fiction and it’s a joy to find such a vital example of it here.” —The Wall Street Journal From a superb new literary talent, a rich, lyrical collection of stories about a tight-knit cast of characters grappling with their own personal challenges while the forces of gentrification threaten to upend life as they know it. At Banneker Terrace, everybody knows everybody, or at least knows of them. Longtime tenants’ lives are entangled together in the ups and downs of the day-to-day, for better or for worse. The neighbors in the unit next door are friends or family, childhood rivals or enterprising business partners. In other words, Harlem is home. But the rent is due, and the clock of gentrification—never far from anyone’s mind—is ticking louder now than ever. In eight interconnected stories, Sidik Fofana conjures a residential community under pressure. There is Swan, in apartment 6B, whose excitement about his friend’s release from prison jeopardizes the life he’s been trying to lead. Mimi, in apartment 14D, hustles to raise the child she had with Swan, waitressing at Roscoe’s and doing hair on the side. And Quanneisha B. Miles, in apartment 21J, is a former gymnast with a good education who wishes she could leave Banneker for good, but can’t seem to escape the building’s gravitational pull. We root for the tight-knit cast of characters as they weave in and out of one another’s narratives, working to escape their pasts and blaze new paths forward for themselves and the people they love. All the while we brace, as they do, for the challenges of a rapidly shifting future. Stories from the Tenants Downstairs brilliantly captures the joy and pain of the human experience in this “singular accomplishment from a writer to watch” (Library Journal, starred review).